Current cultural dialogues about womanhood and agency are popular topics of inquiry in today’s social science research, yet society’s apparent need to contain the female body has been a poignant issue for centuries. Dr. Sara Malton has been researching the representation of women’s bodies – and women’s physical and psychological health – by revisiting understandings of fasting, starvation and selfhood in 19th-century literature and culture.
Dr. Sara Malton
“This research could help us approach with greater care our thinking about women’s relationships with their bodies and questions of agency and help us critically consider the ways that we tend to pathologize everything,” says Dr. Malton, a Professor in the Department of English Language & Literature.
Malton’s current research focuses on representation of the “fasting girl,” which she describes in her research abstract as “a phenomenon which became the focus of much scrutiny in British, European, and Anglo-American medicine and the popular press, as well as nineteenth-century literature. Fasting girls were frequently purported to survive on nothing but the Eucharist and sips of water often for weeks, months, or sometimes even years. On the one hand, such young women evoked a pattern of behavior that recalled that of earlier miraculous saints, such as Saint Catherine of Siena (1347-80), who was renowned for what was then termed anorexia mirabilis. Yet into the latter decades of the nineteenth century, doctors largely discredited the entire notion of anorexia mirabilis.”
Last summer, Malton received a federal SSHRC Insight Development Grant for her project, entitled “Wondrous Hunger: Salvation, Starvation and the Nineteenth-Century 'Fasting Girl.'” Further investigation on the subject has led her to the Welsh girl Sarah Jacob, a figure who has been addressed by authors ranging from Charles Dickens to Emma Donoghue in her recent historical novel, The Wonder [2016]. Cases such as Jacob’s “were at the nexus of this transition from the perception of self-imposed starvation as redemptive sacrifice to a pathologized illness, anorexia nervosa, which was defined in 1873,” says Malton in her abstract.
With “intermittent fasting” becoming popular again as a weight loss strategy, Malton hopes her research will contribute to current discussions on gender, agency and the body, as well as tensions that remain between medical practice and religious belief.
“There has been a battle of authority between religion and science, and during the Victorian era there was a desire to pathologize and reclassify. Prior to the late 19th century, there was no specific medical pathology for anorexia. So, who controls these women’s stories? After their deaths we have trial records and medical records, but no records from the women,” Malton explains.
“In a time when we are so polarized in our discussions, I think that it is now useful to add nuance to historical issues where religious discourse relates to scientific discourse,” she adds.
In much of her research, Malton explores the intersections of fiction, finance, technology and law, as well as consumer and commodity culture. Her publications include the book, Forgery in Nineteenth-Century Literature and Culture: Fictions of Finance from Dickens to Wilde (Palgrave-Macmillan 2009).
She is the current Secretary and a past Trustee of The Dickens Society, and hosted the international 20th Annual Dickens Society Symposium at Saint Mary’s in 2015. A few months ago, Chicago's Remy Bumppo Theatre Company invited her to present Between the Lines: The Chimes, a pre-show lecture for its virtual performance of the 1844 Christmas story by Dickens.
Learn more about Malton’s work at saramalton.com and follow her on Twitter at @saramalton.