A full house burst into rapturous applause after Kent Monkman’s presentation on October 9, organized by the Saint Mary’s Department of Anthropology. There were two standing ovations: one for the artist himself, another for his two-spirit alter ego Miss Chief Eagle Testickle, a time-travelling central figure in many of his paintings, videos and performance art pieces.
Held in the Paul O’Regan Hall at Halifax Central Library, the “Making Miss Chief” event was presented in partnership with the Office of the Indigenous Student Advisor, Saint Mary's University Art Gallery and the Canadian Centre for Ethics in Public Affairs (CCEPA).
Monkman treated the crowd of nearly 300 to the first “test run” of a few chapters from his forthcoming book of Miss Chief’s memoirs, to be published in 2020 by McClelland & Stewart. Written with his longtime collaborator Gisèle Gordon, the book emerged from his solo exhibition Shame and Prejudice: A Story of Resilience, which was on view at the Art Gallery of Nova Scotia (AGNS) last fall and is now in Winnipeg before heading to Vancouver in the spring.
In the exhibition and the book, Miss Chief serves as the guide on a journey to unpack North American art history “as it’s told through settler culture,” focusing on themes of resilience, sexuality, loss and perceived notions of Indigenous experiences. Among the highlights Monkman shared with his Halifax audience was Miss Chief’s origin story, as depicted in his 2018 artwork Being Legendary.
“I created Miss Chief in 2004 to be this really badass character to reverse the colonial gaze,” he said. Using a broad spectrum of tools ranging from humour to serious critique, the larger goal is to “decolonize Canada … Miss Chief has just become this force.”
The character’s wardrobe took some inspiration from the singer Cher, said Monkman, a fan since his childhood in Winnipeg, where he was the youngest of three brothers who played hockey. “I was terrible at hockey. My act of rebellion was to ask for a Cher wig for my 10th birthday. I got a hockey jersey,” he recalled.
Monkman wrapped up his talk with a screening of Another Feather In Her Bonnet | Miss Chief Eagle Testickle & Jean Paul Gaultier. The short video captures Miss Chief’s faux wedding ceremony to the famous fashion designer, September 8, 2017 at the Montréal Museum of Fine Arts. The museum had taken some heat for a headdress piece in an exhibition by Gaultier, which was seen as cultural appropriation, and so invited Monkman to develop an artistic response.
A member of the Fisher River Cree Nation in Northern Manitoba, Monkman currently lives and works in Toronto. He has achieved international recognition, with many solo exhibitions at museums and galleries in Canada, the U.S. and Europe, and screenings at international film festivals. Miss Chief has been at centre stage for site-specific performances at the Royal Ontario Museum, the Smithsonian’s National Museum of the American Indian, Compton Verney and the Denver Art Museum.
Find out more about Monkman and get a closer look at his artworks online at www.kentmonkman.com. If you haven’t seen his painting Miss Chief’s Wet Dream, be sure to visit AGNS, which purchased the monumental artwork in 2018. His newest projects include mistikôsiwak (Wooden Boat People), commissioned by the Metropolitan Museum of Art in New York City, to hang in its Great Hall starting on December 19, 2019.