Charlene Boyce
Charlene Boyce (BA'92, MA'22) is a writer and creative professional who has worked in communications, community engagement and graphic design. She actively seeks work that aligns with her values, whether that be in higher education, non-profit systems change or environmental work. Her path has been circuitous and scenic, and she wouldn't change a step.
Her journey as a mature student began in MBA courses, but she realized that her interests lay in the nexus of history, culture and identity. She began her Master of Arts in Atlantic Canada Studies in 2019, completing her oral-history-based thesis during the pandemic while working full time. Through interviews with former employees, musicians and patrons, she explored the history of the Misty Moon Showbar and the implications that history holds for Halifax’s cultural identity.
In 2021, her short story Flour and Fire won first place in a Reedsy challenge and she has recently had a poem shortlisted by the Writer's Federation of Nova Scotia.
Preferred Name: Charlene M. Boyce
Hometown: Truro (born in New Glasgow)
Graduation Date: May 19, 2022
Previous Degrees: BA'92 (SMU), DiplGD’94 (NSCC)
Thesis title: Music, Money, Memory and Cultural Identity: An Oral History of the Misty Moon Show Bar
Thesis description: The Misty Moon Show Bar was an iconic nightclub in Halifax that was open 1969-1994 and lives on in infamy, tied to a cultural identity of Halifax as a violent city of many bars. Interviews were undertaken with 13 narrators who worked at, were patrons of, or were musicians who played at the club, in order to establish an oral history and dig into the validity of this association. A thematic analysis establishes the community was linked through music, monetary benefits and shared experience. The report exposes the connections and care at the core of the collective identity, while looking at the ways that the Misty Moon is still collectively
commemorated.
Why did this type of research appeal to you?
In 1988 when I came to SMU, I quickly discovered the downtown bar scene and I have remained intrigued by the interweaving of personal identity and cultural identity, reflected in some of the discourse around different interpretations of Halifax history and city’s identity.
Why did you choose Saint Mary’s University for your graduate work? I was working here when the idea began to crystallize and I was familiar with some of the excellent history work undertaken here in the Atlantic Canada Studies program. I think talking with Raymond Sewell about his experience was a clinching factor for me.
Any other successes you’d like to share, or difficulties you were able to overcome? During the drafting of this thesis, at home in the dark days of the pandemic, I honed and perfected my Productive Procrastination techniques. I’ve written more than 20 short stories during this time, one of which won a competition; I have also written poems, and undertook my first 3-Day Novel challenge, producing a 60,000 word manuscript in three days. I feel like this experience has really unlocked my long-harboured writing ambitions.
Future plans? Keep writing, keep finding work that aligns with my values and keep learning.
Advice to students? By all means, let fear keep you from doing things like jumping out of perfectly good airplanes, but never let fear keep you quiet when you need to speak, and don't let fear hold you back from taking exciting chances, like stepping into a new career or moving across the country. The growth you will achieve is worth the risk.*
*If you are already a skydiver, kudos to you! Someday, maybe I will... but probably not!